Jesus and john wayne criticism
For this we’re joined by Jacob Cerone, who is a doctoral candidate at the Friedrich Alexander Universität, in Erlagen, Germany, and General Editor and one of translators of the English translation of Strack-Billerbeck (published by Lexham Press). In this episode we discuss the legacy of the famous German resource of Rabbinic parallels to the New Testament, referred to often as Strack-Billerbeck. Team members on the episode from The Two Cities include: Dr.
#JESUS AND JOHN WAYNE CRITICISM SERIES#
This conversation situates Jesus films within the broader phenomenon of Bible Films and sets up the next several episodes in our series nicely, where we will dive more deeply into Jesus films. (2020), which is our pick for the worst Bible film of all time. Key film discussions emerge around Darren Aronofsky's Noah (2014) and mother! (2017), Amos Gitai's Esther (1986), and the must-be-watched-to-be-believed Assassin 33 A.D.
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He highlights the ways that Bible films can teach us about cinema more broadly rather than strictly about the Bible, though he does address the topic of Bible films specifically as adaptations of literary source material. In our conversation, Matthew talks about the history of movies according to Bible films. In this episode we're kicking off a Summer series on Jesus films! Today we're joined by Matthew Page to talk about his new book, 100 Bible Films (published by The British Film Institute with Bloomsbury). John Anthony Dunne, Stephanie Kate Judd, and Rev. Walsh situates Jesus in the place of the “Monster” in horror films, which leads to some fascinating discussion. We also discuss this topic briefly in relation to iconoclastic concerns as well as Orthodox iconography. Walsh addresses some of the historic tensions behind depicting Jesus throughout cinematic history between depicting Jesus as more divine versus more human, more historically accurate versus more artistically resonant, more stoic versus more personable, etc. Other the course of our conversation, Dr. He’s also the author of a number of books on Jesus films, including Reading the Gospels in the Dark (Trinity Press International) and, more recently with Jeffrey Staley, Jesus, The Gospels, and Cinematic Imagination (T&T Clark). Richard Walsh, who is Womack Professor of Philosophy and Religion and the Co-Director of the Honors Program at Methodist University. In this episode of our Jesus film series, we turn to discuss the art and theology that informs depictions of Jesus with Dr. John Anthony Dunne, Brandon Hurlbert, Rev.
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Team members on the episode from The Two Cities: Dr. Matthew (1964), The Greatest Story Ever Told (1965), Jesus Christ Superstar (1973), Scorsese’s The Last Temptation of Christ (1988), Arcand’s Jesus of Montreal (1989), and Mel Gibson’s The Passion of the Christ (2004). Some of the Jesus films that we address at length include: Pasolini’s The Gospel According to St. Over the course of our conversation we discuss a number of aspects of Jesus films and how those relate to contemporary Gospels scholarship, including, the role of the imagination in historical reconstruction, the nature of Jesus’ self-understanding, first-century crucifixion, and the composition of the Gospels from earlier sources. Mark Goodacre, who is Frances Hill Fox professor of Religious Studies at Duke University, the author of a number of important studies on the historical Jesus, the Gospels, particularly the Synoptic Problem, and the Gospel of Thomas, and the creator of one of the original biblioblogs, called NTBlog, as well as one of the original biblical studies podcasts, called the NTPod.
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In this episode we discuss the relationship of scholarship on the Gospels and the historical Jesus with Dr.